Bozeman Winter Farmers Market – Behind the Scenes

 

On January 30, 2016 the Bonafide Crew woke up early, still exhausted from filming a concert for a documentary the night before. Luckily today was a easier, very pleasant job that didn’t involve carrying heavy gear through the snow.

Having prepped the Blackmagic Pocket Cinema the night before, it was rigged up with the 7 inch field monitor, Zoom H4 audio recorder, Rode Shotgun Microphone, 10,000 MaH external battery and the big memory card in the belly of the camera. It was mounted on the Manfrotto 60 inch tripod with the Manfrotto fluid head. Justin would be operating this camera today.

Anthony grabbed the Sony a6000 as the B cam, which he used for wides and zoomed cutaways. Due to the a6000 having a “Custom -3 -3 -3 mode” it can come close to the soft, desaturated image of the Blackmagic.

We spent about an hour at the event, starting by filming B-Roll of the hallways upstairs, while Anthony found out where the event is actually held (downstairs to anyone wondering). Once we made it to the farmers market, I started filming wides of the crowds while Anthony did some sniper shots on ceiling lights.

After a few minutes of that, we got a bearing on who was interested in talking to the camera. Luckily Justin noticed that there was something going on with the audio as the Blackmagic was showing no active levels, so we pulled the Zoom Recorder off of the rig and set it in front of people as they spoke. This caused a very high level of room noise, but was better than nothing.

After having some very pleasant conversations with quite a few of the vendors, we decided to head out.

Once home, both of the cards were dumped to our working drive. Since the Blackmagic records to ProRes HQ and the Sony records to XAVC S, no transcoding was needed.

A little over a week later Justin started editing in Premiere Pro CC. After cutting he chose a very warm soft color scheme, that matches the feeling of being at a farmers market. Very little After Effects CC work was needed, besides some warp stabilizing.

 

Cameras Used:

Blackmagic Pocket Cinema
Sony A6000 Shooting in XAVC S

Software Used:

Premiere Pro CC
After Effects CC

 

 

Five Rivers Lodge – Behind the Scenes

fiveriverslodgeOn January 17th, 2016 The Bonafide Film House crew set out in our production van to Dillon, Montana to film Five Rivers Lodge. Armed with our Black Magic Cinema, the Sony a6000 and a slew of GoPro 3’s to compliment our Aerial footage.

We arrived at the Lodge around 9:45 am and quickly unpacked our equipment and got the drone in the air. After capturing some stunning footage of the surrounding mountain ranges and breathtaking views we set the drone aside to set up our time lapse cameras (GoPro’s in this case). After pressing record on those we moved into the lodge breaking out the Black Magic, lights, sliders and manfrotto fluid head to capture the each rooms unique feel.

Once we completed the inside of the lodge we moved back outside with a freshly charged DJI Phantom 3 Professional and used the birds eye view to really show the vastness of the property and the beauty of its surroundings. Start to finish with the 3 hour drive time we where in the field for 6 hours.

Once we got home we started ingestion; dumping and rendering all the time lapses out into the cineform mezzanine codec. Justin took over from there, using Adobe After Effects CC 2016 and Adobe Premier Pro CC 2016 to edit, stylize and color correct all our the lodge to the best of his ability. In the end Bonafide Film House produced a quality piece to help promote the lodge.

Cameras used:

Programs used:

 

 

Waves of Ventura – Behind the Scenes

wavesofventura

On December 25, 2015 I flew from Bozeman, Montana to San Diego international airport. I packed light for the trip, ditching all the heavier clothing for shorts and a t-shirt in preparation for the transition from temperatures, just above zero to  those in the 60’s. Packing light allowed some room to not only bring my Sony a5100 and a few extra lenses but a small Manfrotto tripod and fluid head.

After a few days visiting with the family, my wife Amanda and I drove north towards Ventura, California where this piece was filmed. The first few scenes of the film were taken in Ventura harbor while walking along the beach. The surfers and sunset clips where shot on the last day of our stay. The airport sequence was taken before we took off from LAX to return home.

Once I returned home the data was all ingested by Justin. Time lapses where built using Adobe After Effects CC 2016 and the footage was color corrected and cut together using Adobe Premier Pro CC 2016. Justin took all the footage and weaved it into a great little piece showcasing the Waves of Ventura.

Camera used:

Software Used:

Boxes of Bozeman – Behind the Scenes

Boxesofbozeman

If you have driven around Bozeman, Montana any time in the last year in a half you have seen them… electrical boxes wrapped in the beautiful art of local artists. A few weeks ago Justin and I where driving back from a shoot over by Whitehall, MT. We where brain storming about different local projects we could do and we stumbled upon boxes. What could be better? Not only where we producing something about art that bozemanites and and people from around Gallatin valley get to experience on a daily basis but we could showcase local artists and the beautiful works they do. So Boxes of Bozeman began.

We used the Black Pocket Magic Cinema as our primary camera for this shoot. Its high dynamic range and light weight made it the perfect camera for running around in the snow around town. Being a side project we mostly captured boxes between shoots as we saw them on the side of the road. Over the course of a few weeks we got enough footage to put together this piece.

All said and told we shot about 150 gb worth of footage in RAW on the Black Magic. Using a Konova slider, four foot Indy jib and a Manfrotto fluid head we where able to capture movement and make each shot more dynamic. The Time lapse was shot at night on a Sony a6000 it was set at f/11 to keep everything crisp with a shutter speed of 1.5 sec.

Once we had enough footage Justin put it all into Adobe Premier Pro cc 2016 and Adobe After Effects cc 2016 for final editing. He used high end color correcting techniques an a modern editing style to give the video a simple yet clean feel.

Cameras used:

 

Leftovers – Behind the Scenes

Leftovers

Leftovers was a pet project of Justin Kietzman. As 2015 started to wind down Bonafide Film House found that we had a huge collection of time lapse shot from over the past year shot with a variety of cameras. These time lapses while all decent each have a small flaw in some way, They may have been bumped or something unusual happened in frame. For one reason or another these pieces where not used in our final projects.

Justin took these and ran with them using a his creative flair he was able to piece together a final product that shows the power of a time lapse. The completed film was edited using a variety of productions suites including Adobe Premiere Pro CC 2016, Adobe After Affects CC 2016 and Go Pro studio.

These time lapses where shot on a variety of different camera’s including:

Filming Locations:

  • Bozeman Montana
  • Ventura California
  • San Diego California
  • Sarasota Florida